This evening in the Library we have John Anthony Miller, who has dropped in to say hello and to share some insights into his life as an author. You are very welcome, John. Please tell us a little about yourself.
Who doesn’t love Christmas traditions? And yet the way we celebrate the season now is relatively new. Before Queen Victoria’s time, Christmas was barely celebrated at all and gift giving was usually done at the New Year.
Contrary to popular belief, Mr Charles Dickens did not invent Christmas. However, he took the idea and ran with it, creating one of the most iconic ghost stories of our time, A Christmas Carol. Most of us associate the book, and the marvellous film versions of it, with a typical Victorian Christmas, but the commercialisation of the season came about due to two main influences; Queen Victoria marrying her German first cousin, Prince Albert; and the mass production of cheap goods due to the Industrial Revolution.
So, what did the Victorians do for our Christmas traditions?
The Christmas Tree
Prince Albert brought many of the German Christmas traditions with him to England, including the Christmas tree. The first one was erected in Windsor Castle in 1841 and when the Illustrated London News published a drawing of the royal family celebrating around a decorated Christmas tree in 1848, the public went crazy for the idea. It wasn’t long before every home had a tree decked with homemade decorations and small gifts. The ‘traditional’ tree as we know it, free-standing on the floor, evolved with the German tradition of table-top Christmas trees.
Christmas Gifts & Santa Claus
Gradually as the season gained popularity, the exchange of gifts moved from the New Year to Christmas. Initially these were small items such as fruit, nuts, sweets and small handmade gifts which were hung on the Christmas tree. However, as gift giving became more popular, and the gifts became bigger, they moved under the tree.
As technology advanced, mass production became the norm in all industries and toy manufacture was no different. Cheap dolls, bears and clock-work toys were suddenly affordable for middle-class families with their new-found disposable income. However, in poorer households, a child would usually get an apple or an orange and maybe a few nuts.
Normally associated with the giving of gifts, is Father Christmas or Santa Claus. An old English midwinter festival featured Father Christmas who was normally dressed in green. He first appeared in the mid 17th century but fell foul of the Puritan controlled English government who legislated against Christmas, considering it papist! However, the origins of Santa Claus or St Nicholas were Dutch (Sinter Klaas in Holland). The American myth of Santa arrived in the 1850s with Father Christmas taking on Santa’s attributes. By the 1880s, the nocturnal visitor was referred to as both Santa Claus and Father Christmas.
The Christmas Cracker
Another item which was mass produced was the Christmas cracker. A sweetshop owner by the name of Tom Smith had the idea in the 1840s, having been inspired by the French tradition of wrapping sweets in twists of paper. By the 1860s, he had perfected the explosive bang and the Christmas cracker was soon a very popular item in Victorian homes.
The Christmas Card
Sir Henry Cole, the first director of the Victoria & Albert Museum (V&A), commissioned the artist J.C. Horsley to design a festive scene for his seasonal greeting cards in 1843. He had 1,000 printed and the left-over cards were sold to the public. Luckily, Rowland Hill had introduced the “Penny Post” in Britain in 1840, however, the price of one shilling for the cards meant they were not really accessible to most ordinary people. As a result, children were encouraged to make their own Christmas cards at home.
But industrialisation of colour printing technology quickly became more advanced and the price of card production dropped significantly. The popularity of sending cards was helped when a halfpenny postage rate was introduced in 1870 as a result of the efficiencies brought about by the vast network of railways. By the 1880s, the sending of cards had become hugely popular, with 11.5 million cards produced in 1880 alone.
The origins of the meal date back to the Middle Ages but it was the Victorians who developed it to what it is today. The traditional meat at Christmas had been boar (in Medieval times) then goose and beef, but as the well-to-do Victorians began to consume turkey instead, the lower classes followed suit. Plum pudding and mince pies also gained huge popularity at this time. The Victorian love of lengthy meals with many courses still has echoes in our Christmas dinners today, when we generally eat and drink far too much.
Christmas was seen by the Victorians as a time for family and friends and they entertained lavishly. After dinner, they would sit around the piano and sing or play parlour games. Rail travel meant that loved ones from far and wide could come home to enjoy Christmas with the family.
Carols and caroling were extremely popular although not new by any means, having originated from the ‘waits’, an old English tradition of going from house to house and singing in exchange for food. The Victorians, revived the popularity of carols, with the first collection published in 1833. Most of the carols we sing today are ‘new’ versions of old carols which the Victorians adapted to suit their taste.
It was the Victorian love of homecoming and the joy of family at Yuletide which partly inspired my novelette, Christmas at Malton Manor.
Christmas 1884: Home is where the heart is …
Kate Hamilton is companion to the dullest and meanest woman in England, but she is looking forward to going home for Christmas and her sister Mary’s wedding. When her employer refuses to release her, Colonel Robert Woodgate comes to the rescue.
Robert now owns Malton Manor, Kate’s old home in the village of Malton. Recently returned from the Boer War and recovering from his injuries, Robert has been reclusive and morose. Clashing several times over his plans and sweeping changes in the village, their relationship has always been tempestuous.
But when Kate returns to Malton, she discovers her sister’s wedding is to take place at Malton Manor and everyone is convinced the Colonel has an ulterior motive. Can Kate resist the lure of her old home and the memories it holds? And does she have the courage to break down Robert’s defences to find happiness at last?
What draws you to a historical fiction book cover?
During 2018, I have had the pleasure of hosting this cover competition and choosing my ‘Pam’s Pick’. I hope you have found some new books and authors who are now on your ‘must read’ list. In this last instalment, I feature the last three entrants to the 2018 competition. Hopefully, you will be intrigued enough to look beyond the covers I feature and find your next favourite author.If a cover interests you just click on the link to learn more about the book.Continue reading “Historical Fiction Cover Winner December 2018 with @Feud_writer @ros_rendle @jloakley”→
Today author Pam Lecky joins us to answer “10 Questions” about her writing. Pam writes historical fiction and has published an impressive range of subgenres, including crime, mystery, romance, and the supernatural.
Linda Covella: Welcome, Pam!
When and why did you decide to become a writer?
Pam Lecky: That’s quite difficult to answer – it’s certainly back in the mists of time! My first foray into writing was poetry – angst-ridden teenage stuff which I would shudder to read now. However, I did win a prize for it, so some of it may not have been too dreadful!
There was no one moment when I thought I am going to become a writer. But I’ve always had stories knocking around in my head. While on a career break from work, I was reading a book with a very unsatisfactory ending and I remember thinking I could do better…
This evening in the Library we have Dianne Freeman, who has dropped in to say hello and to share some insights into her life as an author.
A special welcome to you, Dianne. I love to chat with historical fiction authors, particularly those who write in the same time period as I do. Please tell us a little about yourself:
I’m a life-long book lover who retired from the world of corporate finance to pursue my passion for writing. After co-authoring the non-fiction book, Haunted Highway, The Spirits of Route 66, I realized my true love was fiction, historical mystery in particular. I also realized I didn’t like winter very much so now my husband and I pursue the endless summer by splitting our time between Michigan and Arizona.
Did you read much as a child? Are you an avid reader now? Do you prefer books in your own genre or are you happy to explore others?
When I was about eight years old, my family moved to a house about 3 blocks from the public library and I’ve been an avid reader ever since. I don’t get to read quite as much now as I used to but while historical mystery is my favorite genre, I enjoy all varieties of historical fiction and most types of mystery.
Are you self-published or traditionally published?
I’m traditionally published with Kensington Books.
Which genre do you write in and why?
I write historical mystery with a bit of humor. I started with this genre because it’s what I love to read. I continued because I enjoy digging into the late Victorian era, plotting a crime, then creating a story around it. I love leaving clues then leading readers in the wrong direction with a scattering of red-herrings.
Who has been the biggest influence on your writing?
I like to think if Janet Evanovich and Edith Wharton had ever been able to collaborate, they might have come up with a main character like my Frances Wynn. (I also like to think there are no calories in food eaten while standing so what do I know?) But I’ve definitely been influenced by Evanovich’s humor and the elite world of Wharton’s books.
Has your country of origin/culture influenced your writing?
I’d imagine it must have, but not in anyway I could define.
What part of the writing process do you find most difficult? How do you overcome it?
I write in drafts, so every time I have to return to page one and start the next draft I have a moment of dread that I won’t be able to fix whatever is wrong. I’ve found if I print the draft and read it through first, maybe jotting a few (hundred) notes, I realize it’s not that bad and I can tackle whatever problems it presents.
Do you have a favourite time of day to write?
Late afternoon is my favorite time, but I like to take a walk to think about what I need to write before I sit down and actually do it, so sometimes weather can interfere with my writing schedule.
What is the best thing about being an author? And the flipside – what is the worst?
I have a feeling this is a common answer, but I love the whole process of writing—the research, plotting, spinning a tale—it’s like traveling to another world. Marketing and promoting aren’t all bad, they can actually be fun, but they really take up a lot of time.
Is social media an essential chore or something you enjoy? Which forum do you prefer?
I do enjoy social media, but as mentioned above, it can be so time consuming. My favorite way to distract myself would be Facebook.
If you weren’t an author, what would you be up to?
I’m retired so I’d go back to doing whatever I want, which would include plenty of reading, gardening, and maybe I’d even learn how to cook.
It’s the last day and the earth is facing oblivion – what book would you read?
Pride and Prejudice – again. At least I already know how it ends in case I don’t get to finish it.
Please tell us what you are working on and your latest published work.
I’m currently working on book three of The Countess of Harleigh Mysteries. Book one, A Lady’s Guide to Etiquette and Murderreleased in June, 2018.
The story takes place in London in 1899. Frances Wynn, Countess of Harleigh, is a widow dealing with a high society burglar, a marriage-mad sister, and a murder. When the London season turns deadly, she fears one of her sister’s suitors may be the killer. Frances must rally her wits and a circle of gossiping friends and enemies to unmask the culprit before she becomes his next victim.